Emu Sedia Shine

The Shine garden chair is made entirely of painted aluminum in 4 elegant finishes, a chair that is well suited to numerous residential and contract contexts. Shine is a complete collection, designed for furnishing dining and relaxation areas. Possibility of including the seat cushion in solution-dyed acrylic fabric.

Info and Technical Data Sheets:

• Dimensions: cm L 50 x D 55 x H 78 - seat H 45
• Weight: 4.70 Kg
• Stackable up to 4
• Cover available on request
• Aluminum structure
• Optional cushion in acrylic fabric

Aluminium
Aluminum alloys, particularly suitable for cold working and die casting, appropriately treated to resist atmospheric agents and powder coated.
USE AND MAINTENANCE
/>To keep the product in good condition for a long time, we recommend correct periodic cleaning, particularly frequent in locations characterized by high humidity and a marine climate. It is recommended to clean the surfaces with a soft cloth using water or neutral detergents. Prolonged and uninterrupted exposure to intense UV radiation or very cold temperatures can affect the initial characteristics of the colored aesthetic covering made of polyester. We recommend cleaning and storing the products in sheltered places during periods of prolonged disuse and in winter.

Acrylic fabric: acrylic fabric means a fiber whose basic element is a polymer chain composed of 85% acrylonitrile. The acrylic fiber combines the aesthetic qualities of a luxurious fabric, with a body and touch similar to those of wool, with the functional qualities of resistance to atmospheric agents: it resists UV rays, does not stain and does not rot in water thanks to the speed of drying.
USE AND MAINTENANCE
Avoid prolonged contact with greasy and/or coloring substances which could be absorbed by the covering material and give rise to permanent stains, as well as deteriorating the structure of the yarn. If used near the sea or swimming pools, periodic washing is recommended. Frequent washing: follow the specific instructions for each material shown on the appropriate label. Use water and non-abrasive liquid detergents with neutral PH and colorless. If necessary, leave the detergent to act for a few minutes. Rinse thoroughly with water at a temperature not exceeding 30°C. If using pressure devices, keep the tip of the diffuser at a distance of at least 60/70 cm from the surface of the product. If necessary repeat the operation. Do not use abrasive sponges to remove stains and do not treat with bleach or chlorine.

Designer: Arik Levy
“Creation is an uncontrolled muscle” according to Arik Levy (born 1963).
Artist, technician, photographer, designer, video-artist : Levy is a multifaceted professional whose works are exhibited in prestigious galleries and museums around the world. Best known for his sculptures including the Rock series, installations, limited editions and art projects, Levy however states that “The world is made of people, not objects.”
Born in Israel, then moved to Europe after his first participation in a collective sculpture exhibition in Tel-Aviv in 1986, Levy currently works in an atelier in Paris.
He has an unconventional background, having dedicated a lot of time to surfing in his home country, as well as his art and graphic design atelier. After completing his studies at the Art Center Europe in Switzerland, he graduated in Industrial Design in 1991.
After a period spent in Japan, where he consolidated his ideas by creating products and works of art for exhibitions, Levy returned in Europe where he gave his artistic contribution in another field, that of contemporary dance and opera with the preparation of various sets.
The creation of his own atelier meant the return to his first love, the art and industrial design, as well as other branches of his multifaceted talent.
Considering himself now more than anything else as an artist of "feeling", Arik Levy continues to contribute considerably to our internal and external environment, with works of public sculpture, as well as creating complete environments suitable for multiple uses.
“Life is a system of signs and symbols,” he says, “where nothing is entirely as it appears.”