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Mogg Adelaide Tv

Mogg Adelaide Tv

Mogg Tavolo Rettangolare Matera

Mogg Tavolo Rettangolare Matera

Mogg Libreria Adelaide Metal

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Metal bookcase made in Italy

Availability: In stock
SKU
rev_SKU_41049_mogg_456938
Stima data di consegna Delivery time: 2/4 weeks
 Free delivery from 199€
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Elegant etagere made in Italy with matt black painted iron structure. Adelaide metal is a versatile bookcase created by designer Claudio Bitetti for Mogg. It is complete with 13 shelves, designed for fixing to the ceiling (ceiling height from 236 cm to 302 cm).
Original floor-to-ceiling bookcase with a revolving column with a square base to which the shelves of two different sizes. It is an element that can be used as a divider, as a bookcase or object holder, personalizing the rooms and also taking advantage of the corners. It consists of 13 shelves of two sizes (n°7 of 20x30 cm and n°6 of 25x30 cm).

Predisposed for ceiling fixing (ceiling height from 236 to 302 cm) When ordering, specify the length of the upper terminal (A-B-C) based on the ceiling height, see diagram. Feet and screws in brass finish.

Terminal A for ceilings H. from 236 to 260 cm
Terminal B for ceilings H. from 260 to 281 cm
Terminal C for ceilings H. from 281 to 302 cm

Dimensions cm: L. 55 x D. 55 x H.236/302
Material: iron

Design: CLAUDIO BITETTI

born in Aosta in 1962, graduated in Industrial Design at the Faculty of Architecture in Milan, works as a designer collaborating with companies such as Alivar, Ciatti a Tavola, Dilmos, EmmeBi, Minottiitalia, Mogg, Movelight, Sturm Und Piastic is an interior designer creating shops and private homes. His approach to the project is expressed through concepts such as flexibility, the dynamism of the forms, the decomposition to the minimum terms, strengthened by an aesthetic idea that aims to poeticize the object without diminishing its recognisability and functional effectiveness. As Elio Franzini, professor of Aesthetics at the University of Milan, wrote, “Claudio Bitetti's forms, in the design (and bodily) dialectic of the I-we, are therefore symbols, that is, they have an 'open' sense, an invisible that exhibits through the visible”. Thus, in the search for meaning that goes beyond the traditional concept of use value, Claudio Bitetti outlines, as stated by Fiaviano Celaschi, professor and deputy dean of the Faculty of Industrial Design in Milan, "a repertoire of projects that cross the space of the house , forcing those who experience it to exploit the plurality of senses, to use double meaning, to develop common sense."